Sara Maria van der Wilp, Gedichten (1772)

By Lieke van Deinsen

Fig. 1

The publication of Sara Maria van der Wilp’s volume of collected poems, Gedichten (1772), led to one of the juiciest controversies in Dutch literary history. The author portrait (fig.2) Van der Wilp initially included in the book produced a torrent of criticism and resulted in a fierce argument in the public press between its painter and the poetess. After several contemporaries reached out to the Amsterdam poetess and told her she “looked like a shrew; a dragon of a wife, […] an impertinent Whore, with Breasts like the udders of a cow,” Van der Wilp decided to commission a new portrait from a competing artist (fig.3) and urged her readers to destroy the first portrait. 

Many of her readers, however, seem to have ignored the poetess’s explicit request. Most surviving copies of the edition contain both portraits. Interestingly several readers added handwritten notes, taking a position in the controversy. On the whole, their judgement did not favor Van der Wilp, and only a few seemed pleased with the volume. A noteworthy exception  appeared to have been Wobbegien Smit (b. 1767). Born in Meppel, Wobbegien married the local merchant Egbert van Veen (1767-1815) in 1788. In 1818, a few years of her husband’s passing, Wobbegien wrote multiple inscriptions of her name in her copy of Van der Wilp’s Gedichten: ‘Wobbegien Smit haar boek in jaar achttien honderd en achttien’ (Wobbegien Smit her book in the year 1818) and ‘Wobbeggien Smit zijn Boek’ (Wobbegien Smit his Book). In addition, she included two inscriptions with the surname of her late husband (‘Wobbegien van Veen’). Apparently, Wobbegien used Van der Wilp’s controversial book to practice her writing  and try to establish her own distinctive signature. 

Fig. 6

Source: Atria, Institute on gender equality and women’s history (Amsterdam), NED 54 1772-B. Photographs by Lieke van Deinsen, reproduced with permission. 

Further Reading

Lieke van Deinsen, ‘Visualising Female Authorship. Author Portraits and the Representation of Female Literary Authority in the Eighteenth Century’, Quærendo 49:4 (2019) , pp. 283-314. 

Daniel Defoe, Robinson Crusoe (1761)

Screen Shot 2019-07-22 at 6.21.55 PM
Screen Shot 2019-07-22 at 6.21.44 PM
Screen Shot 2019-07-22 at 6.21.37 PM
Screen Shot 2019-07-22 at 6.21.24 PM

This tattered copy of the twelfth edition and second volume of Defoe’s famous book was offered for sale on eBay earlier last year. It features a signature of a woman called Susan Havens, surrounded by flourishes and pen strokes, next to the Preface. We don’t know anything about her and are not able to date the signature precisely, but this is yet another instance of a woman proudly inscribing a book to show it is hers.

Source: Book offered for sale on eBay by countryblacksmith on 7/24/19. Images used with permission.

Elizabeth Grey, Countess of Kent, A Choice Manual, or, Rare and Select Secrets in Physick and Chirurgery (1682)

By Michael Powell-Davies

A Choice Manual, or, Rare and Select Secrets in Physick and Chirurgery was a hugely popular collection of medical and culinary recipes, ‘collected and practised by the Right Honourable the Countess of Kent’, Elizabeth Grey (1581-1651). First published by the compiler ‘W. J.’ in 1653, two years after Grey’s death, the book was repeatedly updated and republished throughout the latter half of the seventeenth century, with a final 22nd edition published in 1726. Although published as a single work, the volumes are divided into two parts, the first containing the manual of medical recipes, and the second containing ‘A True Gentlewoman’s Delight’, which contained the culinary recipes and was preceded by its own title page.

This copy of the eighteenth edition of the book, published in 1682, contains evidence of female ownership in the form of two inscriptions made by Anne Howe and Maria Burton.

Anne Howe’s inscription appears on the back of the title page and reads: ‘Anne Howe her booke given her by the Right hon[oura]ble Lady Howe her mother Aprile the 17 1617’. As this book was first published in 1653, Howe perhaps received this book in 1716 or 1717.

The recto of the copy’s second flyleaf bears the inscription: ‘Maria Burton July the 8: 1835’.

Source: British Library, 7462.a.31. Photographs by Michael Powell-Davies, reproduced with permission.

Patrick Simson, Historie of the Church (1634)

By Daniel Woolf

Patrick Simson or Symson was a Scottish Presbyterian minister of anti-episcopalian views who nonetheless enjoyed good relations through most of his life and career as Minister at Stirling with both James VI and several Scots aristocrats. The son of Andrew Simson, himself a reformer, Simson’s life and career is discussed in a biography by G.W. Sprott for the DNB, revised in the ODNB by Duncan Shaw.

Simson’s Historie of the Church is a relatively derivative work, published after his death by his brother Archibald. Simson’s sources are indicated in one of the several “tables” that precedes the start of the book, at sig. ***4v.  His authorities include the “usual suspects” of church history at the time, most obviously Foxe’s Acts and Monuments, but Simson had also a good grasp of patristic and medieval authors, and consulted contemporary or recent writers such as William Camden (Annales) John Stow and John Speed. He also lists catholic authors such as Cardinals Baronius and Bellarmine.

The book appears to have been well received and had reached a third edition by 1634. In 1656, the volume in question, from which the images are taken, came into the hands of Elizabeth Ashe who, if her signature offers any clue, was a practiced writer. The year in which she acquired the book was of course an interesting one, witnessing the end of Cromwell’s experiment with rule by Major-Generals, the calling of the second Protectorate Parliament, and negotiations toward readmission of the Jews to England.

Subsequent owners of the book, identified by signature, included two (presumably) males, one somewhat indecipherable one in 1882, and one C[harles]. E. Gibbs  (29 Oct 1902) whose stamp also appears on the title page. There are annotations in the volume, mainly in pencil, and in a modern hand.

The book came into my hands in 2016 from the antiquarian book dealer finecopy. The binding appears to be original, was in poor shape when I acquired it, and has since been restored professionally. It is destined eventually to join the Schulich-Woolf Rare Book collection in the W.D. Jordan Special Collections Library at Queen’s University, Kingston, Ontario, Canada. https://library.queensu.ca/locations/print-collections/schulich-woolf-rare-book-collection

Source: Privately owned book. Photos by Daniel Woolf, reproduced with permission.

Aphra Behn, The Counterfeit Bridegroom (1677)

Screen Shot 2018-12-12 at 3.13.08 PMScreen Shot 2018-12-12 at 3.13.18 PM

Screen-Shot-2018-12-12-at-3.13.18-PM-1.png

We have only showcased a few books on this website so far that were both owned and written by a woman, and as we have seen in the case of Hannah Woolley, attribution can be problematic. Here is another instance of problematic attribution: a play that has been attributed to Aphra Behn. The Counterfeit Bridegroom, published  in 1677, is an adaptation of No Wit, No Help Like a Woman’s (1613) by Thomas Middleton. However, the play was published anonymously and Behn’s authorship has been questioned, and we cannot know if this particular female reader even knew this was perhaps a play by Behn. A woman named Millisent Smith wrote her name twice on a page, once at the very top and once upside down next to the text. The handwriting looks as if it may be that of a young person. The positioning of the writing next to the prologue and the double presence of her name suggests she may have been practicing her signature, a way of claiming ownership that disregards the actual content of the book. It is difficult to date the handwriting, which may well be later than the seventeenth century.

Credit: book in the Boston Public Library collection. Images taken from Early English Playbooks, 1594-1799, reproduced with permission.

Thomas Vincent, John Turner, Robert Perrott, and M. Pemberton, The Death of Ministers Improved . . . to which is added a sermon upon that occasion by Richard Baxter (1678)

vincent, titlevincent, second sigvincent, second sig zoomedvincent, first sigvincent, first sig, zoomedvincent, board

By Jenny-Lyn de Klerk

This book and sermon written after the death of a beloved minister Henry Stubbs, shows the deep fellow-feeling experienced by the members of a church with each other and their pastors, as well as the Puritan practice of using the death of a loved one as an opportunity to think about one’s own life and death. In Baxter’s sermon, he exhorts his listeners to reflect on Stubbs’ life of “devotedness to God, in his Christian and Ministerial work, notwithstanding all expected difficulties and oppositions, which he resolved with unmoved patience to undergo to the joyful finishing of his course” (p. 3) and use it as a motivation to do the same with their lives. This book is signed by three women: “Grace … her Book,” “mrs. maisy …” and “mrs Mary Lee Brooke”

Source: Allison Library, Regent College. Shelf mark BX 9318 .V46 1678. Photographs by Jenny-Lyn de Klerk.

Richard Allestree, The Causes of the Decay of Christian Piety (1667)

7413_6c6853c83bfb2f47e9fc6a38d770329a7377_39b3dcde60331c5f8d6cd46bdf2fcb7f

This 1667 first edition of Richard Allestree’s The Causes of the Decay of Christian Piety has a detailed gift inscription from an owner named Christiana Isabella Harvey. Harvey records that the book was given to her “by the Reverend Dr. Nicholas” on “Novemb. 7. 1686.”Allestree’s book was one of a series of devotional manuals or books that, as Edmund Christie White puts it, “presented practical guidance in an easily comprehensible style on how to live a life of devotion, and they were structured to promote methodical, repeated reading” (273). White notes that these works were especially popular in Restoration England.

Seller Antiquates noted that Christiana Isabella Harvey was later the “wife of English author Hamon L’Estrange (1674–1769).” Harvey was born in 1673 and died in January 1756, so the book by Allestree must have been given to her when she was only thirteen. She would go on to have three daughters. This book is also signed by one of them, Isabella L’Estrange.

7410_4ff9c68d6cc08c820df9a2507c591e437357_08d03a73877dcb18df2d2219d1c99988

Source: Book was offered for sale by Antiquates in 2017. Images used with permission.

Further Reading

J. M. Rigg, and Norma Landau. “L’Estrange, Hamon (bap. 1674, d. 1767), legal and religious writer.” Oxford Dictionary of National BiographySeptember 2004. Oxford University Press.

Edmund Christie White, “Paradise Regained and the Restoration Church of England: Pieties in Dialogue.” Milton Studies vol. 56, 2015, pp. 273-99.